From  Shadow IndiansThe Beothuk Motif in Newfoundland Literature From: Edge |
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Mary Dalton |
16 |
2015 |
$1.60 Add
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From  Curating Affective Spaces in Poetry as Difficulty TrapsA Panel Presentation at Canadian Writers Summit 2018 From: Constructive Negativity |
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Shane Neilson |
4 |
2019 |
$0.80 Add
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From  Dialogical SoundingsThe Sub-Conversion Pieces of I. Compton-Burnett From: Edge |
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Mary Dalton |
12 |
2015 |
$1.20 Add
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From  Poetry for the EarA Review of Jeanette Lynes's Left Fields and The Aging Cheerleader's Alphabet From: Heart on Fist |
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M. Travis Lane |
3 |
2016 |
$0.30 Add
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From  Stevie HowellFrom: The Next Wave |
Rip Torn – Crunches – A Girl’s Will – Rain Pool |
Stevie Howell |
6 |
2018 |
$0.60 Add
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From  A Rare OriginalityA Review of Hannah Main-Van der Kamp's According to Loon Bay From: Heart on Fist |
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M. Travis Lane |
5 |
2016 |
$0.50 Add
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From  Amanda JerniganFrom: The Next Wave |
Aubade – Catch – Lullaby – Beasts |
Amanda Jernigan |
4 |
2018 |
$0.40 Add
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From  From Celtic Archetype to Existentialist ImageThe Severed Head Motif in the Work of Samuel Beckett From: Edge |
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Mary Dalton |
11 |
2015 |
$1.10 Add
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From  Waiting for GoodTransgression, Down-Shouting, and Ethical Readership From: Constructive Negativity |
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Shane Neilson |
4 |
2019 |
$0.80 Add
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From  Aisha Sasha JohnFrom: The Next Wave |
Self-Portrait Cemetary – They moved my friends – That is what I will say. – Something softens me |
Aisha Sasha John |
4 |
2018 |
$0.40 Add
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