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Hold
From: Beast at Every Threshold
$4.10
Wei Ying Tells Me about Resurrection – Instructions for a Transmutation Circle – Immigrant Aubade – Phoning Home to Tell My Grandmother I Survived a Hate Crime – Asami Watches Korra in the Rear-View – Interruption: B-Side – Favourite TV Trope – Someone in Some Future Time – Listen I Love You Joy Is Coming – I Always Bet on Losing Dogs – Sayang – En Route to the Sixth Station, Chihiro Counts the Clouds – After the Atlanta Spa Shootings, We Sat in a Field – Self-Portrait as Beast Index – That Time I Thought Phoebe Bridgers Sang, “When I Grow Up, I’m – Gonna Look Up from My Phone and See My Wife” – When My Grandmother Begins to Forget – Future-Proof – Etymology of Minotaur – When I Say I Want to Learn Your Mother’s Recipe, I Mean – I Am My Dreaming Self Getting Better at This
Contributors
Natalie Wee
Natalie Wee is a queer creator. In addition to Beast at Every Threshold, she is the author of Our Bodies and Other Fine Machines (special edition, San Press, 2021). Her work was named first runner-up for the 2020 Pacific Spirit Poetry Prize, winner of the 2019 Blue Mesa Review Summer Contest for poetry, and a Best of the Net finalist. Born in Singapore to Malaysian parents, Natalie is currently a settler in Tkaronto and was part of Project 40 Collective, a Tkaronto-based pan-Asian artist community. She currently edits for Climate Justice Toronto and offers free editorial services for writers of colour. Learn more at natalieweewrites.com.
