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ISBN: 9781771665032

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Florine Stettheimer

New Directions in Multimodal Modernism

Florine Stettheimer (1871-1944) was Modernism’s great “outlier”—a highly original artist with a boldly interdisciplinary aesthetic that attracted such luminaries as Marcel Duchamp, Georgia O’Keefe, and Andy Warhol. They understood, admired, and were inspired by Stettheimer.

This collection of essays by a wide range of contemporary writers and thinkers explores the multimodality of Stettheimer’s creative output and the salon culture by her and her sisters Carrie and Ettie in New York from 1915 to 1935. Florine Stettheimer: New Directions in Multimodal Modernism theorizes, engages and situates Stettheimer’s innovative contributions to art history and illustrates the aesthetic genealogy of her vision and its influence through to the contemporary moment.

Contributors

Irene Gammel

Irene Gammel is a professor at Ryerson University, where she teaches modernist literature and culture and directs the Modern Literature and Culture Research Centre. Widely known as a leader in experiential teaching methods, she is also a curator with a focus on avant-garde subjects, and the author and editor of thirteen books, including Baroness Elsa: Gender, Dada, and Everyday Modernity (MIT Press, 2002) and Looking for Anne of Green Gables (St. Martin’s Press, 2008). With Suzanne Zelazo, she is the co-editor of Crystal Flowers: Poems and a Libretto by Florine Stettheimer (BookThug, 2010) and Body Sweats: The Uncensored Writings of Elsa von Freytag-Loringhoven (MIT Press, 2010).

Suzanne Zelazo

Suzanne Zelazo is a writer, editor, educator, and publisher in the visual and literary arts, as well as in sport. She holds a PhD in English with a speciality in female modernism and avant-garde poetry and performance. Her projects seek to integrate creative expression and the body. She is the author two collections of poetry, Lances All Alike (Coach House, 2018) and Parlance (Coach House, 2003), and editor of Janieta Eyre: Incarnation (Coach House, 2017). With Irene Gammel, she’s the co-editor of Crystal Flowers: Poems and a Libretto by Florine Stettheimer (BookThug, 2010) and Body Sweats: The Uncensored Writings of Elsa von Freytag-Loringhoven (MIT Press, 2010).

Chapter Title Contents Contributors Pages Year Price

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This book hopes to convey a sense of the Stettheimer salon as a fertile site of the in-between, while addressing an important gap in the study of female modernist artists, especially those who … ; 16 $1.60

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This essay reveals the social, gendered, and familial dynamics that have consigned Florine to the shadows for so long, but also account for her resurgence today. 19 $1.90

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In this essay, Uhlyarik considers the painter’s unique mode of communication with her audience, as Stettheimer creates a world for herself in her paintings in which viewers are unbidden guests. 17 $1.70

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This chapter uses Jacques Derrida’s notion of the archive as a threshold space between private and public, history and life, to conceptualize the salon as a site of the in-between, an … 21 $2.10

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By contemplating the play of conversational reciprocity, the author establishes the epistolary genre as a dynamic and fertile site of the in-between. ; 21 $2.10

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This essay considers the idea of temporal flux in the work of Florine Stettheimer, and links it to the semiotic compression at the heart of the artist’s multimodal work. 20 $2.00

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This chapter considers Florine’s poetry alongside two key modernist poets, investigating the ways in which Stettheimer ruptures traditional expression, mobilizing new feminist modes of … 21 $2.10

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This essay delves into the medium of avant-garde game and play to explore Florine’s portraits of Duchamp, which were fuelled by both desire and irony. 17 $1.70

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This chapter explores the movement of the body in Stettheimer’s ballet maquettes and paintings. 20 $2.00

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This essay traces Stettheimer’s faun figure, which has its roots in Vaslav Nijinsky’s dance, as the centralartistic inspirational motif throughout her oeuvre. 21 $2.10

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This chapter explores Stettheimer’s collaboration with composer Virgil Thomson, and poet and playwright Gertrude Stein, in producing America’s most famous avant-garde opera, Four … 22 $2.20

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By adopting what John Urry terms “the tourist gaze,” and by exploring Stettheimer’s late paintings, namely, the Cathedrals series, this essay argues that the artist engenders a … ; 22 $2.20

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The final chapter considers Stettheimer’s reluctance to be photographed, arguing that her active inversion of painting prominent photographers was a deliberate strategy. 15 $1.50