How a Poem MovesA Field Guide for Readers of Poetry |
Developed from Adam Sol’s popular blog, How a Poem Moves is a collection of 35 short essays that walks readers through an array of contemporary poems. Sol is a dynamic teacher, and in these … |
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Introduction |
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From  IntroductionFrom: How a Poem Moves |
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From  NEW! IntroductionFrom: Problematica |
Friend and literary critic Adam Sol reflects on the qualities of George Murray’s poetry. |
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How a Poem Puts Skin on a Mystery – How a Poem Shapes Memory – How a Poem Articulates a Feeling – How a Poem Crystalizes an Image |
Philip Levine, "Making Light of It" – Deborah Digges, "Stealing Lilacs in the Cemetary" – C.K. Williams, "Love: Beginnings" – Yusef Komunyakaa, … |
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From  How a Poem Puts Skin on a Mystery – How a Poem Shapes Memory – How a Poem Articulates a Feeling – How a Poem Crystalizes an ImageFrom: How a Poem Moves |
Philip Levine, "Making Light of It" – Deborah Digges, "Stealing Lilacs in the Cemetary" – C.K. Williams, "Love: Beginnings" – Yusef Komunyakaa, … |
Adam Sol |
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How a Poem Makes Meaning with Music – How a Poem Snapshots a Moment of Drama – How a Poem Seduces Us with Outlandishness – How a Poem Cooks Up Dark Insight – How a Poem Pushes Us Away and Beckons Us Closer |
Elise Partridge, "Domestic Interior: Child Watching Mother" – Tiphanie Yanique, "My brother comes to me" – Diane Seuss, "Free beer" – Philip … |
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From  How a Poem Makes Meaning with Music – How a Poem Snapshots a Moment of Drama – How a Poem Seduces Us with Outlandishness – How a Poem Cooks Up Dark Insight – How a Poem Pushes Us Away and Beckons Us CloserFrom: How a Poem Moves |
Elise Partridge, "Domestic Interior: Child Watching Mother" – Tiphanie Yanique, "My brother comes to me" – Diane Seuss, "Free beer" – Philip … |
Adam Sol |
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How a Poem Wrestles with Its Inheritance – How a Poem Lives Between Languages – How a Poem Invites Us to Praise – How a Poem Answers Some Questions but Not Others |
Rahat Kurd: "Ghazal: In the Persian" – Natalia Toledo, translated by Clare Sullivan, "Flower That Drops Its Petals" – Ross Gay, "Ode to Drinking Water from My … |
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2019 |
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From  How a Poem Wrestles with Its Inheritance – How a Poem Lives Between Languages – How a Poem Invites Us to Praise – How a Poem Answers Some Questions but Not OthersFrom: How a Poem Moves |
Rahat Kurd: "Ghazal: In the Persian" – Natalia Toledo, translated by Clare Sullivan, "Flower That Drops Its Petals" – Ross Gay, "Ode to Drinking Water from My … |
Adam Sol |
25 |
2019 |
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How a Poem Clarifies Its Blur – How a Poem Changes As We Read – How a Poem Will (Not) Save Us – How a Poem Loves a Misunderstanding |
Jeff Latosik, "Aubade Photoshop" – Ali Blythe, "Shattered" – Raoul Fernandes, "Life with Tigers" – Richard Siken, "Dots Everywhere" |
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From  How a Poem Clarifies Its Blur – How a Poem Changes As We Read – How a Poem Will (Not) Save Us – How a Poem Loves a MisunderstandingFrom: How a Poem Moves |
Jeff Latosik, "Aubade Photoshop" – Ali Blythe, "Shattered" – Raoul Fernandes, "Life with Tigers" – Richard Siken, "Dots Everywhere" |
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How a Poem Mistrusts Its Idols – How a Poem Doesn’t Dish – How a Poem Impersonates a Tomato – How a Poem Seeks New Model – How a Poem Makes Itself Out of Unusual Materials |
Cassidy McFadzean, "You Be the Skipper, I’ll Be the Sea" – Damian Rogers, "Ode to a Rolling Blackout" – Oliver Bendorf, "Queer Facts about … |
Adam Sol |
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From  How a Poem Mistrusts Its Idols – How a Poem Doesn’t Dish – How a Poem Impersonates a Tomato – How a Poem Seeks New Model – How a Poem Makes Itself Out of Unusual MaterialsFrom: How a Poem Moves |
Cassidy McFadzean, "You Be the Skipper, I’ll Be the Sea" – Damian Rogers, "Ode to a Rolling Blackout" – Oliver Bendorf, "Queer Facts about … |
Adam Sol |
28 |
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How a Poem Chooses the Apocalypse Behind Curtain #3 – How a Poem Assembles a Smashed Record for Posterity – How a Poem Tries to Connect Us, Despite the Obstacles – How a Poem Welcomes Us to the Neighbourhood |
Jennifer L. Knox, "The New Let’s Make a Deal – George Murray, from "#DaydreamBereaver" – Donna Stonecipher’s "Model City [4]" – Bren … |
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From  How a Poem Chooses the Apocalypse Behind Curtain #3 – How a Poem Assembles a Smashed Record for Posterity – How a Poem Tries to Connect Us, Despite the Obstacles – How a Poem Welcomes Us to the NeighbourhoodFrom: How a Poem Moves |
Jennifer L. Knox, "The New Let’s Make a Deal – George Murray, from "#DaydreamBereaver" – Donna Stonecipher’s "Model City [4]" – Bren … |
Adam Sol |
21 |
2019 |
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